Alphabetical Index of Operations
for the CDP Release 7 Function Set
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
A |
Back to Alphabet |
| Accelerate a sound, changing its pitch | MODIFY SPEED Mode 5 |
| Accumulate data by sustaining spectral bands, until louder data appears | FOCUS ACCU |
| Add multi-channel distributed tremolo to a multi-channel file | FLUTTER FLUTTER |
| Add silence to the beginning of a soundfile | PREFIX SILENCE |
| Add silence to the end of a soundfile | SILEND SILEND |
| Add soundfiles to an existing mixfile | SUBMIX ADDTOMIX |
| Add vibrato to a multi-channel sound | STRANS MULTI |
| Alias – i.e., create a Windows shortcut to a soundfile | ALIAS |
| Align grain-onsets in two grainy sounds | GRAIN ALIGN |
| Alter loudness or balance of a sound | MODIFY LOUDNESS |
| Alter rhythmic relationship of grains in a grainy sound | GRAIN RERHYTHM |
| Alter spatial distribution of the sounds in a mixfile | SUBMIX SPACEWARP |
| Alter the overall level of a mixfile | SUBMIX ATTENUATE |
| Alter the timing of the sounds in a mixfile | SUBMIX TIMEWARP |
| Alternate harmonics are deleted | PITCH ALTHARMS |
| Ambisonic B-format, create output soundfile in | ABFPAN |
| Analyse a soundfile to form an analysis file of spectral data | PVOC ANAL |
| Analyse then resynthesise a sound with various specialist options | PVOC EXTRACT |
| Apply a fixed or orbiting 1st order B-Formant pan to a mono soundfile | ABFPAN |
| Apply a fixed or orbiting 2nd order B-Formant pan to a mono soundfile | ABFPAN2 |
| Apply tremolo to a soundfile | ENVEL TREMOLO |
| Apply width-controlled tremolo to a soundfile | TREMOLO TREMOLO |
| Approximate copy of the pitch in a pitch datafile | REPITCH APPROX |
| Arpeggiate the spectrum | HILITE ARPEG |
| Assess best gate value for grain extraction | GRAIN ASSESS |
| Attacks of sounds synchronised in a mixfile | SUBMIX SYNCATTACK |
| Attenuate the overall level of a Csound score file | CSNDATTN |
| Attenuate the overall level of a mixfile | SUBMIX ATTENUATE |
| Average spectral energy over channels | BLUR AVERAGE |
| Average waveshape over N pseudo-wavecycles | DISTORT AVERAGE |
B |
Back to Alphabet |
| Back-to-back soundfile: backwards copy joined to forwards original | EXTEND BAKTOBAK |
| Back up a several soundfiles into one file, separated by silence | HOUSEKEEP BAKUP |
| Balance by bringing max level of sound 1 to that of sound 2 | MODIFY LOUDNESS Mode 5 |
| Balance the levels of two soundfiles in a mix, the 2nd being the inverse level of the 1st | SUBMIX BALANCE |
| Band by splitting the spectrum into bands and processing these individually | HILITE BAND |
| Bare harmonics by zeroing cata in channels without harmonics | SPEC BARE |
| Batch file expansion by adjusting soundfiles or parameters | HOUSEKEEP BATCHEXPAND |
| Blur & Trace by time-averaging (blurring) and keeping N channels | HILITE BLTR |
| Blur the sound by time-averaging the spectrum | BLUR BLUR |
| Brassage for granular reconstitution of a soundfile in various ways | MODIFY BRASSAGE Modes 5-7 |
| Brassage with more than one input soundfile | MODIFY SAUSAGE |
| Brassage with (moving) multi-channel output | WRAPPAGE |
| Breakpoint file graphic editor (Windows 95 systems) | BRKEDIT |
| Bridge between 2 time-specified analysis windows in 2 files by interpolation | MORPH BRIDGE |
| Bundle soundfile names into various groups, saving as a textfile | HOUSEKEEP BUNDLE |
C |
Back to Alphabet |
| Change channel assignments in a multi-channel setup | FRAME SHIFT Mode 3 |
| Change duration of a grainy sound, without altering the length of the grains | GRAIN TIMEWARP |
| Change order sequence of grains in a grainy sound | GRAIN REORDER |
| Change pitch of grains in a grainy sound | GRAIN REPITCH |
| Change properties of a soundfile (sample rate/type or channels) | HOUSEKEEP RESPEC |
| Change rhythm of grains in a grainy sound | GRAIN RERHYTHM |
| Change speed or pitch of a multi-channel sound | STRANS MULTI |
| Channel (analysis) corresponding to a given frequency | SPECINFO CHANNEL |
| Channel loudest in a stereo file identified | SNDINFO LOUDCHAN |
| Channels comparison in a stereo file: do they differ? | SNDINFO CDIFF |
| Chop out sound material around FOF-grains and save as separate soundfiles | PSOW CHOP |
| Chord generated from a simple waveform | SYNTH CHORD |
| Chord made by mixing transposed spectra inside original spectral envelope | PITCH CHORDF |
| Chord made by mixing transposed spectra (without keeping original spectral envelope) | PITCH CHORD |
| Chorus effect by randomised amps/frqs of partials | BLUR CHORUS |
| Clean out noise from a PVOC analysis file | SPEC CLEAN |
| Clean persisting noise that falls below a threshold | SPECNU CLEAN |
| Click track made from tempo, meter & barring data | SYNTH CLICKS |
| Clip the signal with noise / waveform | DISTORT OVERLOAD |
| Combine FOF-grains in sound 1 with the pitch outline of sound 2 | PSOW REPLACE |
| Combine pitch information & a single-moment formant to generate a new sound | ONEFORM COMBINE |
| Combine pitch & transposition data, producing binary output | REPITCH COMBINE |
| Combineb pitch & transposition data, producing breakpoint (text) output | REPITCH COMBINEB |
| Combine stereo files into a multi-channel output | MCHSTEREO |
| Combine the formant and/or total spectral envelopes of two spectra | SPECTWIN SPECTWIN |
| Compare the channels of a stereo soundfile | CHANDIFF |
| Concatenate multiple soundfiles, with optional CUE list for CD burning | NJOIN |
| Concatenate soundfiles into one backup file, with silences between | HOUSEKEEP BAKUP |
| Constrict the durations of silences within a sound | CONSTRICT |
| Convert between ring- & bilaterally-numbered outchans | FRAME SHIFT Mode 5 |
| Convert between various types of value or musical units | SNDINFO UNITS |
| Convert binary envelope file to text with dB values | ENVEL ENVTODB |
| Convert binary envelope file to text | ENVEL ENVTOBRK |
| Convert binary pitch data to a text file | REPITCH PCHTOTEXT |
| Convert binary pitch file to a time frequency breakpoint text file | PITCHINFO CONVERT |
| Convert binary pitch file to a breakpoint text file with zeros (for PSOW) | PTOBRK |
| Convert breakpoint pitch text file to a binary pitch file | BRKTOPI |
| Convert formant file to pseudo-soundfile to view formant patterns | FORMANTS SEE |
| Convert level of analysis file to 'soundfile' for viewing | SPECINFO LEVEL |
| Convert list of soundfiles to a mixfile | SUBMIX ATSTEP |
| Convert listed soundfiles to a basic mixfile on a timed grid, for editing | SUBMIX ONGRID |
| Convert mono soundfile to a multi-channel equivalent | MTON |
| Convert mono soundfile to stereo | HOUSEKEEP CHANNEL Mode 5 |
| Convert pitch or transposition file to a pseudo-soundfile for viewing | PITCHINFO SEE |
| Convert properties of a soundfile (sample rate/type or channels) | HOUSEKEEP RESPEC |
| Convert sample position to time position in a soundfile | SNDINFO SMPTIME |
| Convert soundfile to a WAVE-EX format | COPYSFX |
| Convert spectral file into a soundfile | PVOC SYNTH |
| Convert stereo soundfile to mono | HOUSEKEEP CHANNEL Mode 4 |
| Convert (text) breakpoint envelope file to binary | ENVEL BRKTOENV |
| Convert (text) breakpoint envelope file with gain values to dB values | ENVEL GAINTODB |
| Convert (text) breakpoint file with dB values to binary | ENVEL DBTOENV |
| Convert (text) breakpoint file with dB values to gain values | ENVEL DBTOGAIN |
| Convert time position to sample position in a soundfile | SNDINFO TIMESMP |
| Convolve one sound with an impulse soundfile or another sound | FASTCONV |
| Copy soundfile with format conversion options | COPYSFX |
| Copy soundfile with option to make/delete multiple copies | HOUSEKEEP COPY |
| Count grains found in a grainy sound (at given gate and minhole) | GRAIN COUNT |
| Create a clicktrack | SYNTH CLICKS |
| Create a multi-channel mixfile | MULTIMIX CREATE |
| Create a multi-channel soundfile from a mono input | MTON |
| Create a sequence of repeated envelopes, in a binary envelope file | ENVEL CYCLIC |
| Create a 'shortcut' to a soundfile [PC only] | ALIAS |
| Create a spectrum by following the pitch contour in a pitch data file | REPITCH SYNTH |
| Create a spectrum with vowels while following the pitch contour in a pitch data file | REPITCH VOWELS |
| Create an amplitude envelope | ENVEL CREATE |
| Create binary pitch data from a textfile of time midi value pairs | REPITCH GENERATE |
| Create motifs with the grains in a grainy sound | GRAIN REMOTIF |
| Create multi-channel echoes or reverb | MCHANREV |
| Create one soundfile from several cut segments | ISOLATE ISOLATE Mode 3 |
| Create several soundfiles from one cut segment | ISOLATE ISOLATE Mode 1 |
| Create several soundfiles from several cut segment | ISOLATE ISOLATE Mode 2 |
| Create silence by replacing noise in a pitch data file | REPITCH NOISETOSIL |
| Create silence in a (mono) soundfile by suppressing noise and replacing with silence | SFEDIT NOISECUT |
| Create textures over a multi-channel frame | TEXMCHAN |
| Cross by replacing channel amps of 1st file with those of 2nd | COMBINE CROSS |
| Cross from one pitched analysis file towards another | SPECROSS PARTIALS |
| Crossfade two soundfiles | SUBMIX CROSSFADE |
| Cross Modulate by multiplying two soundfile, creating sidebands | MODIFY RADICAL Mode 6 |
| Curtail a soundfile by fading to zero at some time within it | ENVEL CURTAIL |
| Cut at zero-crossings and keep a segment from a MONO soundfile | SFEDIT ZCUT |
| Cut at zero-crossings and keep segments from a MONO soundfile | SFEDIT ZCUTS |
| Cut a Csound score file into two parts | CSNDCHOP |
| Cut holes in a soundfile in the manner of a cantor set | CANTOR SET |
| Cut one segment and make several soundfiles with it | ISOLATE ISOLATE Mode 1 |
| Cut several segments and make one soundfile from them | ISOLATE ISOLATE Mode 3 |
| Cut several segments and make several soundfile from them | ISOLATE ISOLATE Mode 2 |
| Cut soundfile into disjunct segments | ISOLATE ISOLATE Mode 4 |
| Cut soundfile into disjunct overlapping segments | ISOLATE ISOLATE Mode 5 |
| Cut soundfile randomly and reassemble in multi-channel space | MCHSHRED SHRED |
| Cut sound around FOF-grains and save as separate soundfiles | PSOW CHOP |
| Cut N random chunks and save as separate soundfiles | SFEDIT RANDCHUNKS |
| Cut random average lengths and save as separate soundfiles | SFEDIT RANDCUTS |
| Cut out and keep a segment of a pitch data file | REPITCH CUT |
| Cut out and keep a segment of a soundfile | SFEDIT CUT |
| Cut out and keep a segment of a soundfile, with no splicing | SFEDIT ZCUT |
| Cut out and keep the end of a soundfile | SFEDIT CUTEND |
| Cut out and keep several segments of a sound | SFEDIT CUTMANY |
| Cut out a segment of a soundfile and close up the gap | SFEDIT EXCISE |
| Cut out noise in a soundfile and replace by silence | SFEDIT NOISECUT |
| Cut out several segments from a soundfile and close up the gaps | SFEDIT EXCISES |
| Cut section out of an analysis file | SPEC CUT |
| Cut soundfile at zero amplitude points | HOUSEKEEP GATE |
| Cut out a FOF-grain chunk at a precise grain time | PSOW CUTATGRAIN |
| Cyclecnt to determine the number of pseudo-wavecycles in a soundfile | DISTORT CYCLECNT |
| Cyclic envelopes (repeated) within a sound | ENVEL CYCLIC |
D |
Back to Alphabet |
| Decay to zero with a true exponential curve | ENVNU EXPDECAY |
| Decode 1st or 2nd order B-Format soundfile to a choice of speaker layouts | FMDCODE |
| Deglitch a soundfile (attempt to) | HOUSEKEEP DEGLITCH |
| Delete a proportion of FOF-grains from a soundfile | PSOW DELETE |
| Delete pseudo-wavecycles from a soundfile | DISTORT DELETE |
| Delay lines used to create reverberation and echoes | MODIFY REVECHO Mode 1 |
| Delay lines, multi-tapped | TAPDELAY |
| Delay with pitch-defined output sound | NEWDELAY NEWDELAY |
| Difference between two channels of a stereo soundfile? | SNDINFO CHANDIFF |
| Difference between two (non-text) files? | SNDINFO DIFF |
| Difference between two spectra | COMBINE DIFF |
| Difference in duration of two soundfiles shown | SNDINFO TIMEDIFF |
| Disk space available displayed | HOUSEKEEP DISK |
| Disperse a mono signal into fragments spread over N-channel space | FRACTURE FRACTURE |
| Display fraction of zero-crossings in a sound | SNDINFNO ZCROSS |
| Display information about pitch data in a binary pitch file | PITCHINFO INFO |
| Display list of all CDP-format files with their properties | DIRSF |
| Display maximum level and gain information for a soundfile | SNDINFO MAXSAMP |
| Display properties of a soundfile | SNDINFO PROPS |
| Display (the correct) format for a mixfile | SUBMIX FILEFORMAT |
| Display soundfile details, with WAVE_EX speaker positions | SFPROPS |
| Display time-varying amplitude of spectrum, within 8ve bands | SPECINFO OCTVU |
| Display window count of an analysis file | SPECINFO WINDOWCNT |
| Distort a soundfile by manipulating pseudo-wavecycles See the options for the DISTORT group name |
DISTORT |
| Distribute alternate FOF-grains in a sound over a stereo space | PSOW SPACE |
| Distribute a soundfile in in a sinusoidal pattern | MODIFY SPACEFORM |
| Distribute N source files in a panorama across a specified angle of a sound-surround loudspeaker array | PANORAMA PANORAMA |
| Divide a Csound score file into two parts | CSNDCHOP |
| Divide an analysis file into individual frequency bands and save as separate files | SPECNU SLICE |
| Divide a sound into segments that repeat, and splice them together | EXTEND DOUBLETS |
| Divide 'wavecycle' frequency to cause distortion | DISTORT DIVIDE |
| Doppler effect by pitch-shifted repetitions of a mono soundfile on a path into and across an 8-channel array | TRANSIT DOPPLER |
| Doppler effect with pitch-shifted repetitions on a path into and across an 8-channel array, with filtering, suggesting greater distance |
TRANSIT DOPLFILT |
| Doppler (pitch) shift effect on a panned soundfile | DSHIFT |
| Dovetail a soundfile by enveloping its beginning and end | ENVEL DOVETAIL |
| Drunken walk along analysis windows | BLUR DRUNK |
| Drunken walk along sample data | EXTEND DRUNK |
| Dummy (template) mixfile made from list of soundfile names | SUBMIX DUMMY |
| Duplicate FOF-grains, thereby time-stretching the sound; also transposes | PSOW DUPL |
| Duplicate grains in a grainy sound | GRAIN DUPLICATE |
| Duration – ability to specify the duration of the
outfile See: Drunk, Iterate, Loop, Scramble, Zigzag |
Back to Alphabet |
| Duration of sound, analysis, envelope, pitch formant or transposition file | SNDINFO LEN |
| Durations of several soundfiles listed | SNDINFO LENS |
| Durations of several soundfiles summed | SNDINFO SUMLEN |
E |
Back to Alphabet |
| Echoes in multi-channel space | MCHANREV |
| Echoes in large spaces, such as a stadium | MODIFY REVECHO |
| Echoes made by repeating a sound with timing and level adjustments | SFECHO ECHO |
| Eliminate channel data below a certain threshold amplitude | SPEC GATE |
| Eliminate from source file any persisting signal that falls below a threshold | SPECNU CLEAN |
| Eliminate noise below a threshold and subtract the amplitude of the noise | SPECNU SUBTRACT |
| Emphasize attack of a sound | ENVEL ATTACK |
| Emphasize onsets of partials with pluck effect | HILITE PLUCK |
| Emphasize start of sound with pluck effect on amplitude envelope | ENVEL PLUCK |
| Ends of a soundfile, remove clicks from | HOUSEKEEP ENDCLICKS |
| Enhance stereo separation of a sound | PHASE Mode 2 |
| Enter a list of soundfile names to create template mixfile | SUBMIX DUMMY |
| Envelope: See Create, Dovetail, Emphasize, Impose, Put, Scaled, Warp | Back to Alphabet |
| Envelope a soundfile to create a shuddering effect | MODIFY SHUDDER |
| Envelope independently in a multi-channel setup | FRAME SHIFT Mode 7 |
| Envelope 'wavecycles' to cause distortion | DISTORT ENVEL |
| Envelope (window-loudness) extracted from an analysis file | REPITCH ANALENV |
| Estimate best gate value for grain extraction | GRAIN ASSESS |
| Exaggerate the contour of the spectral envelope | FOCUS EXAG |
| Exaggerate the pitch contour of a binary pitch data file | REPITCH EXAG |
| Excise a segment of a soundfile and close up the gap | SFEDIT EXCISE |
| Excise several segments from a soundfile and close up the gaps | SFEDIT EXCISES |
| Expand a batchfile by adjusting soundfiles or parameters | HOUSEKEEP BATCHEXPAND |
| Expand time of input file (without changing the pitch) | STRETCH TIME |
| Exponential decay to zero applied to a sound | ENVNU EXPDECAY |
| Extend a sound by iterating a segment in a fluid manner | EXTEND FREEZE |
| Extend a soundfile by sequencing it, with timed transpositions | EXTEND SEQUENCE |
| Extend by zigzagging, reassembling in randomised multi-channel space | MCHZIG ZAG |
| Extend (first) noise component found in vocal material | GRAIN NOISE_EXTEND |
| Extend several soundfiles by sequencing them, with timed transpositions | EXTEND SEQUENCE2 |
| Extend soundfile by joining backwards version to forwards original | EXTEND BAKTOBAK |
| Extend sounds that are (already) iterative by focusing on the iterative material | GRAIN R_EXTEND |
| Extract amplitude envelope from soundfile | ENVEL EXTRACT |
| Extract a channel from a soundfile | HOUSEKEEP CHANNEL Mode 1 |
| Extract all channels from a soundfile, creating separate soundfiles | HOUSEKEEP CHANNEL Mode 2 |
| Extract all or several channels from a multi-channel soundfile | CHANNELX |
| Extract formant-envelope at a specific time in a CDP formant file | ONEFORM GET |
| Extract harmonic partials from a pitched source | GET_PARTIALS |
| Extract pitch data from spectral data, insofar as this is possible | REPITCH GETPITCH |
| Extract evolving formant envelope from an analysis file | FORMANTS GET |
| Extract formants from analysis file to pseudo-soundfile for viewing | FORMANTS GETSEE |
| Extract peaks in a sound | PEAK EXTRACT |
| Extract significant sound from a recording, etc. | HOUSEKEEP EXTRACT |
| Extract specific data options in an analysis-resynthesis cycle | PVOC EXTRACT |
| Extract the window-loudness envelope of analysis file | REPITCH ANALENV |
F |
Back to Alphabet |
| Fade into and out from a peak moment | ENVEL SWELL |
| 'Faders' time-varying level-balance changes in a mixfile | SUBMIX FADERS |
| Features added to a FOF-grain type soundfile | PSOW FEATURES |
| Filter out 'wavecycles' of certain lengths to cause distortion | DISTORT FILTER |
| Filter: See Fixed, Generate, Iterated, Phasing, Sweep | Back to Alphabet |
| Filter with a bank of filters & time-varying Q | FILTER BANK |
| Filter highpass, fixed frequencies (lower frqs are removed) | FILTER LOHI |
| Filter lowpass, fixed frequencies (higher frqs are removed) | FILTER LOHI |
| Filter the spectrum | HILITE FILTER (12 Modes) |
| Filter with a user-defined bank of filters & time-varying Q | USERBANK |
| Filter with VARIBANK using fixed randomised filterbank files | FILTRAGE FILTRAGE Mode 1 |
| Filtered repetitions of a mono soundfile placed on a path into and across an 8-channel array | TRANSIT FILTERED |
| Filter with VARIBANK using time-varying randomised filterbank files | FILTRAGE FILTRAGE Mode 2 |
| Filter with user-defined time-varying bank of filters, with time-variable Q | FILTER VARIBANK |
| Filter with text datafiles made for fixed-pitch FILTER VARIBANK filters | FILTER VFILTERS |
| Filter with variable frequency (lowpass, highpass, bandpass, notch) | FILTER VARIABLE |
| Filter using convolution for FIR linear-phase filtering | FASTCONV |
| Find and display fraction of zero-crossings in a sound | SNDINFNO ZCROSS |
| Find difference between two spectra | COMBINE DIFF |
| Find difference in duration of two soundfiles | SNDINFO TIMEDIFF |
| Find exact start time of the nearest FOF-grain | PSOW LOCATE |
| Find frequencies of the most prominent peaks and output as a text file | NEWMORPH NEWMORPH2 Mode 1 |
| Find 'grains' and extend the area that surrounds them | GREXTEND EXTEND |
| Find 'grains' (such as vocal syllables) and manipulate them | GRAIN GREV |
| Find 'hole': largest area of low-level signal in a soundfile | SNDINFO FINDHOLE |
| Find maximum level in a soundfile | SNDINFO MAXSAMP |
| Find maximum level in a soundfile between specified time points | SNDINFO MAXSAMP2 |
| Find peaks in a sound and extract them | PEAK EXTRACT |
| Find peaks of time-varying energy centre of spectrum | SPECINFO PEAK |
| Find stereo pan-position of a sound in a (moving) stereo file | MODIFY FINDPAN |
| Find sum of two spectra | COMBINE SUM |
| Find time locations of grain-onsets in a grainy sound (and write as textfile) | GRAIN FIND |
| Find times of the loudness peaks in a soundfile | PEAKFIND |
| Fix pitch data in a binary pitch data file | REPITCH FIX |
| Fixed filter, cut or boost around a given frequency | FILTER FIXED |
| FOF transformations added to a FOF-grain type soundfile | PSOW FEATURES |
| Focus spectral energy onto peaks in spectrum | FOCUS FOCUS |
| Fold spectral components into specified range by 8ve transposition | FOCUS FOLD |
| Follow the pitch contour in a pitch data file while making a spectrum with vowels | REPITCH VOWELS |
| Follow the pitch contour in a pitch data file to create a spectrum | REPITCH SYNTH |
| Fractal distortion by superimposing miniature 'wavecycle' copies | DISTORT FRACTAL |
| Fraction of zero-crossings counted and displayed | SNDINFNO ZCROSS |
| Freeze a pitch-synchronised FOF within a sound, with optional vibrato | PSOW SUSTAIN |
| Freeze a time-specified FOF within a sound, with optional vibrato | PSOW SUSTAIN2 |
| Freeze a segment of a sound by iteration in a fluid manner | EXTEND FREEZE |
| Freeze spectral characteristics during given times | FOCUS FREEZE |
| Freeze spectrum at regular time intervals | FOCUS STEP |
| Frequency (centre) of a specified analysis channel | SPECINFO FREQUENCY |
G |
Back to Alphabet |
| Gain applied to amplify or attenuate the spectrum | SPEC GAIN |
| Gain in dB applied to a soundfile | MODIFY LOUDNESS Mode 2 |
| Gain ratio applied to a soundfile | MODIFY LOUDNESS Mode 1 |
| Gate at zero to find soundfile cut points | HOUSEKEEP GATE |
| Gate to remove low-level sound from a signal | GATE |
| Gated elimination of channel data below a given threshold amplitude | SPEC GATE |
| Gated extraction of significant sound from a recording | HOUSEKEEP EXTRACT |
| Generate a chord from a simple waveform | SYNTH CHORD |
| Generate a list of frequencies for use in a filterbank | FILTER BANKFRQS |
| Generate a new sound from pitch information & a single-moment-formant | ONEFORM COMBINE |
| Generate a spectrum from pitch & formant data components | COMBINE MAKE |
| Generate a spectrum out of pitch, formant & envelope data components | COMBINE MAKE2 |
| Generate a texture of grains made from a source sound or sounds | NEWTEX NEWTEX |
| Generate binary pitch data from a textfile of time midi value pairs | REPITCH GENERATE |
| Generate both channels of a stereo spectral band | SYNTH SPECTRA |
| Generate complex spectra from fundamental and partial balance information | NEWSYNTH SYNTHESIS |
| Generate randomised VARIBANK fixed filterbank files | FILTRAGE FILTRAGE Mode 1 |
| Generate randomised VARIBANK time-varying filterbank files | FILTRAGE FILTRAGE Mode 2 |
| Generate simultaneous repetition cycles, shifting focus from one to another | SHIFTER SHIFTER |
| Generate the spectral 'mean' of 2 sounds | COMBINE MEAN |
| GET a formant-envelope at a specific time in an existing CDP formant file | ONEFORM GET |
| Get FOF-grain at an exact grain time | PSOW CUTATGRAIN |
| Get harmonic partials: extract relative amplitudes of partials in a pitched source | GET_PARTIALS HARMONIC |
| Get level information for several soundfiles | SNDINFO MAXI |
| Get level information regarding a mix defined in a mixfile | SUBMIX GETLEVEL |
| Get maximum level in a soundfile | SNDINFO MAXSAMP |
| Get maximum level in a soundfile between specified time points | SNDINFO MAXSAMP2 |
| Get pitch from spectral analysis data, insofar as this is possible | REPITCH GETPITCH |
| Glide with linear interpolation between 2 single analysis windows | MORPH GLIDE |
| Gliss[andi] created inside the (changing) spectral envelope | STRANGE GLIS |
| Glissando of pitches (with time-varying breakpoint file) | MODIFY SPEED |
| Grab FOF-grains from a soundfile | PSOW GRAB |
| Grab a single analysis window and save as a separate file | SPEC GRAB |
| Granular synthesis and sound transformations | MODIFY BRASSAGE |
| GrainMill graphic granular synthesis and sound
transformations with built-in graphic breakpoint file editor (Windows 95 systems) |
GRAINMILL |
| Graphic EQ in spectral domain | HILITE GREQ |
| Group soundfiles in various ways, saving their names in a textfile | HOUSEKEEP BUNDLE |
H |
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| Harmonic partials extracted from a pitched source | GET_PARTIALS HARMONIC |
| Harmonics, reinforce them in vocal-type FOF material | PSOW REINFORCE |
| Harmonics of specified pitches replace spectral frequencies, time-varying with filtering | TUNEVARY TUNEVARY |
| 'Harmonics' superimposed onto 'wavecycles' to cause distortion | DISTORT HARMONIC |
| Hear binary pitch file as a test tone | PITCHINFO HEAR |
| Hilite vowels and impose on a soundfile | HILITE VOWELS |
| Hold the sound spectrum steady for specified durations, at given times | FOCUS HOLD |
| Hoverover a portion of the sound in a zig-zag motion | |
id="II">I |
Back to Alphabet |
| Impose amplitude envelope (various types) onto a sound | ENVEL REPLACE |
| Impose amplitude envelope, scaling its (breakpoint) times to the duration of the soundfile | ENVEL SCALED |
| Impose envelope shapes on 'wavecycles' to cause distortion | DISTORT ENVEL |
| Impose evolving formants in formantfile onto another sound | FORMANTS PUT |
| Impose FOF material from sound 1 onto sound 2 | PSOW IMPOSE |
| Impose formants from one sound onto another | FORMANTS VOCODE |
| Impose new features on a vocal-type FOF-grain soundfile, transposition, vibrato and hoarseness | PSOW FEATURES |
| Impose regular pulsations on a sound | DISTORT PULSED |
| Impose Impose the channel amplitudes of inanalfile2 onto the channel frequencies of inanalfile1 | SPECSPHINX SPECSPHINX Mode 1 |
| Impose the formant-envelope in a single-moment-formants datafile onto the sound in an analysis file | ONEFORM PUT |
| Impose transposition on input analysis file (same duration & spectral envelope moves) | REPITCH TRANSPOSE |
| Impose transposition on input analysis file (same duration & keep original spectral envelope) | REPITCH TRANSPOSEF |
| Impose vowels on a soundfile | HILITE VOWELS |
| Impose vocal FOFs on a stream of synthesised sound | PSOW SYNTH |
| Information display about pitch data in a binary pitch file | PITCHINFO INFO |
| Inbetween sounds created | SUBMIX INBETWEEN |
| Inbetween sounds created through interpolation pegged to zero-crossings | SUBMIX INBETWEEN2 |
| Insert many silences into a soundfile | MANYSIL |
| Insert one sound into another (overwrite or spread) | SFEDIT INSERT |
| Insert soundfile, overwriting part of original | SFEDIT REPLACE |
| Insert silence into a sound (overwrite or spread) | SFEDIT INSIL |
| Interaction of 'wavecycles' of two sounds to cause distortion | DISTORT INTERACT |
| Interleave FOFs from two different files | PSOW INTERLEAVE |
| Interleave leafsize sets of windows from 2 or more files | COMBINE INTERLEAVE |
| Interleave mono files to make a multi-channel soundfile | SUBMIX INTERLEAVE |
| Interleave mono or stereo files to make a multi-channel soundfile | INTERLX |
| Interpolate between 2 FOF-grains acquired with PSOW GRAB (with duration = 0) | PSOW INTERP |
| Interpolate partials between pitched analysis files | SPECROSS |
| Interpolate 'wavecycles' to cause distortion | DISTORT INTERPOLATE |
| Interpolation pegged to zero-crossings used to create 'inbetween' soundfiles | SUBMIX INBETWEEN2 |
| Invert phase of a sound | PHASE Mode 1 |
| Invert phase of one channel of a sound | CHANPHASE CHANPHASE |
| Invert the pitch contour of a pitch data file | REPITCH INVERT |
| Invert the spectrum of a sound | STRANGE INVERT |
| Isolate 'grains' (such as vocal syllables) and manipulate them | GRAIN GREV |
| Isolate or generate a sound packet | PACKET PACKET |
| Iterate an input sound, following a transposition line | ITERLINE ITERLINE |
| Iterate an input sound set, following a transposition line | ITERLINE ITERLINEF |
| Iterate a soundfile, scattering in multi-channel space | MCHITER ITER |
| Iterate a soundfile with subtle variations | EXTEND ITERATE |
| Iterate a sound with cumulative filtering by a bank of filters | FILTER ITERATED |
| Iterate (already) repeating material within a soundfile, thereby extending it | GRAIN R_EXTEND |
J |
Back to Alphabet |
| Join soundfile back to back, first backwards then forwards (original) | EXTEND BAKTOBAK |
| Join sounds together, one after another | SFEDIT JOIN |
| Join soundfiles in loudness-patterned sequence | SFEDIT JOINDYN |
| Join soundfiles in patterned sequence | SFEDIT JOINSEQ |
K |
Back to Alphabet |
| Keep maximum amplitude channel from each channel of 2 or more files | COMBINE MAX |
| Keep N loudest channels in an analysis file | BLUR TRACE |
L |
Back to Alphabet |
| Length of a sound, analysis, envelope, ptich, formant or transposition file | SNDINFO LEN |
| Lengths of several soundfiles listed | SNDINFO LENS |
| Level information for a mix defined in a mixfile | SUBMIX GETLEVEL |
| Level of an analysis file converted for viewing | SPECINFO LEVEL |
| List all CDP-format files in current folder (directory), with their properties | DIRSF |
| List soundfiles and convert to a basic mixfile on a timed grid, for editing | SUBMIX ONGRID |
| Locate exact start time of the nearest FOF-grain | PSOW LOCATE |
| Locate peaks of time-varying energy centre of spectrum | SPECINFO PEAK |
| Loop by repeating (advancing) segments inside a soundfile | EXTEND LOOP |
| Loudest channel of a stereo file shown | SNDINFO LOUDCHAN |
| Loudness and time-varying balance changes to a mixfile | SUBMIX FADERS |
| Loudness or balance changes to a soundfile | MODIFY LOUDNESS |
| Lower Resolution of a soundfile | MODIFY RADICAL Mode 4 |
M |
Back to Alphabet |
| Magnify a single analysis window by extending its duration | SPEC MAGNIFY |
| Make a sequence from one soundfile by repeating it, with timed transpositions (overlaps possible) | EXTEND SEQUENCE |
| Make a sequence from several soundfiles by repeating them, with timed transpositions (overlaps possible) | EXTEND SEQUENCE2 |
| Make a spectrum out of pitch & formant data components | COMBINE MAKE |
| Make a spectrum out of pitch, formant & envelope data components | COMBINE MAKE2 |
| Make a spectrum by following the pitch contour in a pitch data file | REPITCH SYNTH |
| Make binary pitch data from a textfile of time midi value pairs | REPITCH GENERATE |
| Make text datafiles for use with fixed-pitch FILTER VARIBANK filters | FILTER VFILTERS |
| Manipulate 'grains' (such as vocal syllables) | GRAIN GREV |
| Mark areas as silent in a pitch data file | REPITCH INSERTSIL |
| Mark areas as unpitched in a pitch data file | REPITCH INSERTZEROS |
| Mask specified chunks of sound, overlaying them with silence | SFEDIT MASKS |
| Massage pitch data in a binary pitch data file | REPITCH FIX |
| Maximum amplitude value in each channel retained from 2 or more files | COMBINE MAX |
| Maximum sample level displayed, along with gain information | SNDINFO MAXSAMP |
| Mean of 2 spectra is generated | COMBINE MEAN |
| Merge mono files to make a multichannel soundfile | SUBMIX INTERLEAVE |
| Merge several soundfiles into one via a quick mix (same number of channels) | SUBMIX MERGEMANY |
| Merge two soundfiles into one via a quick mix (same number of channels) | SUBMIX MERGE |
| Mirror by inverting stereo positions in a stereo soundfile | MODIFY SPACE Mode 2 |
| Mirror channel output around a specified mirror-plane | FRAME SHIFT Mode 4 |
| Mirror Pan by inverting stereo positions in a pan data file | MODIFY SPACE Mode 3 |
| Mix sounds as instructed in a mono or stereo mixfile | SUBMIX MIX |
| Mix sounds as instructed in a multi-channel mixfile | NEWMIX MULTICHAN |
| Mix tranposed versions of a soundfile, so that they are on top of one another | MODIFY STACK |
| Mix two multi-channel soundfiles, with optional offset | NMIX |
| Mix two soundfiles into one via a quick mix | SUBMIX MERGE |
| Mix two soundfiles into one, balancing the two levels with an inverse function | SUBMIX BALANCE |
| Mixfile: make various alterations to See: Attenuate, Dummy, Fileformat, Getlevel, Shuffle, Spacewarp, Test & Timewarp |
Back to Alphabet |
| Mix with pan positions automatically readjusted, dependent on soundfile start times | SUBMIX PAN |
| Model a mixfile by replacing its soundfiles with new ones | SUBMIX MODEL |
| Modify the shape of 'wavecycles' to cause distortion | DISTORT REFORM |
| Modify WAVE_EX header to change GUID and/or speaker positions | CHXFORMAT |
| Morph between dissimilar spectra | NEWMORPH NEWMORPH 7 Modes |
| Morph between dissimilar spectra, using a peaksfile | NEWMORPH2 NEWMORPH2 Modes 2-3 |
| Morph one spectrum into another | MORPH MORPH |
| Move a mono sound around a multi-channel space | MCHANPAN Mode 1 |
| Multi-channel toolkit, including handling WAVE-EX formats | MCTOOLS |
| Multiply the spectra of two analysis files | SPECSPHINX SPECSPHINX Mode 2 |
| Multiply 'wavecycle' frequencies to cause distortion | DISTORT MULTIPLY |
N |
Back to Alphabet |
| Narrow the stereo image of a sound | MODIFY SPACE Mode 4 |
| Noise found in vocal material and extended | GRAIN NOISE_EXTEND |
| Noise in a soundfile replaced by silence | SFEDIT NOISECUT |
| Noise isolated and marked in a pitch data file | REPITCH INSERTZEROS |
| Noise replaced by by pitch interpolated from existing pitches in a pitch data file | REPITCH INTERP |
| Normalise a soundfile (bring to maximum amplitude) | MODIFY LOUDNESS Mode 3 |
O |
Back to Alphabet |
| Octave-transpose spectral components into specified range | FOCUS FOLD |
| Octave-transpose without formant shift | PITCH OCTMOVE |
| Omit a proportion of the grains in a grainy sounds | GRAIN OMIT |
| Omit 'wavecycles' to cause distortion | DISTORT OMIT |
| Overlap cut disjunct segments of a soundfile | ISOLATE ISOLATE Mode 5 |
| Overload a sound to create noise by clipping or by a time-varying waveform | DISTORT OVERLOAD |
| Overwrite part of a soundfile by inserting another one | SFEDIT REPLACE |
P |
Back to Alphabet |
| Packet of sound generated | PACKET PACKET |
| Pan by positioning or moving a mono sound in a stereo field | MODIFY SPACE Mode 1 |
| Pan applied to a whole mixfile, such that sounds get repositioned depending on their start times | SUBMIX PAN |
| Pan a soundfile, scaling pan times to soundfile duration | MODIFY SCALED |
| Pan a soundfile in a sinusoidal pattern | MODIFY SPACEFORM |
| Pan, find stereo pan-position of a sound in a (moving) stereo file | MODIFY FINDPAN |
| Pan from one channel configuration to another, passing through surround-mono | MCHANPAN Mode 7 |
| Pan sounds around a multi-channel space | MCHANPAN |
| Partials interpolated between pitched analysis files | SPECROSS PARTIALS |
| Partition a mono soundfile into disjunct waveset block-groups | PARTITION PARTITION |
| Partition a soundfile into a sequence of 'windows' separated by silence | ENVEL TIMEGRID |
| Partition Partition a spectrum into parts, over a grid | SPECGRIDS SPECGRIDS |
| Partition a spectrum randomly into bins and play back in order | GLISTEN GLISTEN |
| Peaks found and extracted | PEAK EXTRACT |
| Peaks in a sound, times of found | PEAKFIND |
| Peaks of time-varying energy centre of spectrum located | SPECINFO PEAK |
| Phase of one channel of a sound is inverted | CHANPHASE CHANPHASE |
| Phase invert in a sound | PHASE Mode 1 |
| Phasing filter or effect in a sound | FILTER PHASING |
| Pick out and retain channels with specified partials | PITCH PICK (5 Modes) |
| Pitch contour in a pitch data file followed while creating a spectrum with vowel sounds | REPITCH VOWELS |
| Pitch made continuous by interpolating across noise or silence from existing pitches | REPITCH INTERP |
| Pitch-shifted repetitions of a mono soundfile placed on a path into and across an 8-channel array, suggesting a doppler shift |
TRANSIT DOPPLER |
| Pitch-shifted repetitions of a mono soundfile placed on a path into and across an 8-channel array, suggesting a doppler shift, with filtering, suggesting greater distance |
TRANSIT DOPLFILT |
| Pitched analysis files, interpolate partials of | SPECROSS |
| Pitched component removed from the spectrum of a sound | SPECNU REMOVE |
| Pitchshift soundfile with Brassage pitch parameter | MODIFY BRASSAGE Mode 1 |
| Pitchshift spectral file, creating inharmonic relationships | STRANGE SHIFT |
| Pitchshift spectral file, retaining harmonic relationships | PITCH TRANSP |
| Pitchshift spectral data file, altering harmonic relationships | REPITCH PCHSHIFT |
| Pitchwarp 'wavecycles' to cause distortion | DISTORT PITCH |
| Place filtered repetitions of a mono soundfile on a path into and across an 8-channel array | TRANSIT FILTERED |
| Place pitch-shifted repetitions of a mono soundfile on a path into and across an 8-channel array, suggesting a doppler shift |
TRANSIT DOPPLER |
| Place pitch-shifted repetitions of a mono soundfile on a path into and across an 8-channel array, suggesting a doppler shift, with filtering, suggesting greater distance |
TRANSIT DOPLFILT |
| Place repetitions of a mono soundfile on a path into and across an 8-channel array | TRANSIT SIMPLE |
| Play a CDP soundfile or multi-channel soundfile | PAPLAY |
| Play a CDP soundfile, multi-channel soundfile or analysis file | PVPLAY |
| Play a sequence of mono soundfiles along a tangent path | TANGENT SEQUENCE |
| Play a sequence of mono soundfiles along a tangent path, as listed in a textfile | TANGENT LIST |
| Play repeats of a mono soundfile along a tangent path | TANGENT ONEFILE |
| Play repeats of two synchronised mono soundfiles along a tangent path | TANGENT TWOFILES |
| Pluck effect on onset of partials | HILITE PLUCK |
| Pluck effect on start of a sound's amplitude envelope | ENVEL PLUCK |
| Position a sequence of mono soundfiles (at least 3) on a path into and across an 8-channel array | TRANSIT SEQUENCE |
| Position a sequence of mono soundfiles listed in a textfile on a path into and across an 8-channel array | TRANSIT LIST |
| Prefix silence to the beginning of a soundfile | PREFIX SILENCE |
| Print data in analysis file as textfile | SPECINFO PRINT |
| Print sample values (Care! Large files!!) | SNDINFO PRNTSND |
| Produce a sequence from one soundfile by repeating it, with timed transpositions (overlaps possible) | EXTEND SEQUENCE |
| Produce a sequence from several soundfiles by repeating them, with timed transpositions (overlaps possible) | EXTEND SEQUENCE2 |
| Pulsations of the same length imposed on a sound | DISTORT PULSED |
| Put amplitude envelope (various types) onto a sound | ENVEL REPLACE |
| Put evolving formants in formant file onto another sound | FORMANTS PUT |
| Put formants from one sound onto another | FORMANTS VOCODE |
| Put noise into the spectrum | BLUR NOISE |
| Put the formant-envelope in a single-moments-formants datafile onto the sound in an analysis file | ONEFORM PUT |
Q |
Back to Alphabet |
| Quadraphonic sound files | ABFPAN |
| Quantise pitches in a binary pitch data file via a file of MIDI pitch values | REPITCH QUANTISE |
| Query whether a binary pitch file contains unpitched windows (zeroes) | PITCHINFO ZEROS |
R |
Back to Alphabet |
| Radical changes: see Reverse, Shred, Scrub, Lower
Resolution, Ring Modulate & Cross Modulate |
MODIFY RADICAL |
| Random chunks cut and saved as separate soundfiles | SFEDIT RANDCHUNKS |
| Random cuts made and saved as separate soundfiles | SFEDIT RANDCUTS |
| Randomise pitch line in a pitch data file | REPITCH RANDOMISE |
| Randomise the order of spectral windows | SPECNU RAND |
| Randomly partition the spectrum into bins and play back in order | GLISTEN GLISTEN |
| Rearrange and retime events within a soundfile | RETIME (14 Modes) |
| Record a soundfile into the computer in .wav or .aif format | RECSF |
| Reflections, create early for reverb data and store as a file | ROOMRESP |
| Reform 'wavecycle' shapes to cause distortion | DISTORT REFORM |
| Regularly repeating distortion pulsations | DISTORT PULSED |
| Regularly repeating envelope shapes to create a shuddering effect | MODIFY SHUDDER |
| Reinforce harmonics in vocal-type FOF material | PSOW REINFORCE |
| Remotif by changing the pitch and rhythm of grains in a grainy sound | GRAIN REMOTIF |
| Remove a pitched component from the spectrum of a sound | SPECNU REMOVE |
| Remove clicks from start or end of a soundfile | HOUSEKEEP ENDCLICKS |
| Remove existing (numbered) copies of a soundfile | HOUSEKEEP REMOVE |
| Reorder grains in a grainy sound | GRAIN REORDER |
| Reorder soundfile channels in a multi-channel soundfile | CHORDER |
| Repeat a soundfile gradually synchronising the repeats in several cycles | CERACU CERACU |
| Repeat a sound, making echoes by timing and level adjustments between repeats | SFECHO ECHO |
| Repeat a sound, shortening it on each repetition | SHRINK SHRINK |
| Repeat simultaneous cycles, shifting focus from one to another | SHIFTER SHIFTER |
| Repeat 'wavecycles', timestretching and causing distortion | DISTORT REPEAT |
| Repeat 'wavecycles' below a specified frequency, timestretching and causing distortion | DISTORT REPLIM |
| Repeat with spatial variations source soundfile(s) by randomly deleting items | MADRID MADRID |
| Repeats of a mono soundfile played along a tangent path | TANGENT ONEFILE |
| Repeats of two synchronised mono soundfiles played along a tangent path | TANGENT TWOFILES |
| Repetitions of a mono soundfile placed on a path into and across an 8-channel array | TRANSIT SIMPLE |
| Repetitions, filtered, of a mono soundfile placed on a path into and across an 8-channel array | TRANSIT FILTERED |
| Repetitions, pitch-shifted, of a mono soundfile placed on a path into and across an 8-channel array, suggesting a doppler shift |
TRANSIT DOPPLER |
| Repetitions, pitch-shifted, of a mono soundfile placed on a path into and across an 8-channel array, suggesting a doppler shift, with filtering, suggesting greater distance |
TRANSIT DOPLFILT |
| Repitch grains (i.e., transpose) in a grainy sound | GRAIN REPITCH |
| Replace amplitude envelope of a sound (various formats) | ENVEL REPLACE |
| Replace FOF-grains in sound 2 with those of sound 1 | PSOW REPLACE |
| Replace noise or silence by pitch interpolated from existing pitches in a pitch data file | REPITCH INTERP |
| Replace part of a soundfile by overwriting with another soundfile | SFEDIT REPLACE |
| Replace pitched windows by silence (reveals noise: consonants) | REPITCH PITCHTOSIL |
| Replace soundfiles in an existing mixfile | SUBMIX MODEL |
| Replace spectral amplitudes of first file with those of second | COMBINE CROSS |
| Replace spectral envelope of first file with that of the second | FORMANTS VOCODE |
| Replace spectral frequencies by harmonics of specified pitch(es) | PITCH TUNE |
| Replace spectral frequencies by harmonics of specified pitch(es), time-varying with filtering | TUNEVARY TUNEVARY |
| Replace spectral windows with the most similar, louder window(s) | SELFSIM SELFSIM |
| Replace unpitched windows by silence (reveals pitch: vowels) | REPITCH NOISETOSIL |
| Replace 'wavecycles' to cause distortion | DISTORT REPLACE |
| Report location of frequency peaks in evolving spectrum | SPECINFO REPORT |
| Report RMS and average power level statistics | RMSINFO |
| Reposition FOF-grains, thereby time-stretching and transposing a soundfile | PSOW STRETCH |
| Reposition the grain-onsets in a grainy sound | GRAIN REPOSITION |
| Rerhythm the grains in a grainy sound | GRAIN RERHYTHM |
| Reshape 'wavecycles' to cause distortion | DISTORT REFORM |
| Re-synthesise a spectral analysis file to form a soundfile | PVOC SYNTH |
| Retain only the channels which might hold specified partials | PITCH PICK (5 Modes) |
| Retime and rearrange events within a soundfile | RETIME (14 Modes) |
| Retain only the N loudest partials, window by window | HILITE TRACE |
| Reverberate a soundfile in multi-channel space | MCHANREV |
| Reverberate a soundfile in various ways | MODIFY REVECHO |
| Reverberate a soundfile using Brassage parameters | MODIFY BRASSAGE Mode 3 |
| Reverberation applied with comprehensive parameter control | REVERB |
| Reverberation with multi-channel capacity and room simulation | ROOMVERB |
| Reverse the direction of play of a soundfile | MODIFY RADICAL Mode 1 |
| Reverse the order of grains in a grainy sound, but not the grains themselves | GRAIN REVERSE |
| Reverse 'wavecycles' in groups to cause distortion | DISTORT REVERSE |
| Ring Modulate a soundfile | MODIFY RADICAL Mode 5 |
| Room simulation for applying reverberation | ROOMVERB |
| Rotate a mono soundfile around a multi-channel space | MCHANPAN Mode 9 |
| Rotate a process around a multi-channel space (Sound Loom only) | MCHANPAN Mode 8 |
| Rotate the whole frame of a multi-channel soundfile | FRAME SHIFT Modes 1-2 |
S |
Back to Alphabet |
| Sausage for brassage with more than one input soundfile | MODIFY SAUSAGE |
| Scale envelope times to the duration of a soundfile | ENVEL SCALED |
| Scale pan data to soundfile duration | MODIFY SCALEPAN |
| Scatter by randomly thinning out the spectrum | BLUR SCATTER |
| Scatter iterations aound a multi-channel space | MCHITER ITER |
| Scramble by reading (forwards) at zigzagging time points | EXTEND SCRAMBLE |
| Scramble soundfile via grainsize and search range | MODIFY BRASSAGE Mode 4 |
| Scrub a soundfile by moving slowly across a 'play head' | MODIFY RADICAL Mode 3 |
| See a pitch or transposition file with a soundfile viewer | PITCHINFO SEE |
| Segments of a sound repeat and are spliced together | EXTEND DOUBLETS |
| Separate vocal syllables in a soundfile | SFEDIT SYLLABLES |
| Sequence of mono soundfiles played along a tangent path | TANGENT SEQUENCE |
| Sequence of mono soundfiles played along a tangent path, as listed in a textfile | TANGENT LIST |
| Sequence of mono soundfiles (at least 3) positioned on a path into and across an 8-channel array | TRANSIT SEQUENCE |
| Sequence of mono soundfiles listed in a textfile positioned on a path into and across an 8-channel array | TRANSIT LIST |
| Sequence one soundfile by repeating it, with timed transpositions (overlaps possible) | EXTEND SEQUENCE |
| Sequence several soundfiles by repeating them, with timed transpositions (overlaps possible) | EXTEND SEQUENCE2 |
| Set Level of a soundfile to max or specified level | MODIFY LOUDNESS Mode 4 |
| Shift frequencies of spectrum, altering harmonic relationships | STRANGE SHIFT (5 Modes) |
| Shift pitch of spectrum, altering harmonic relationships | REPITCH PCHSHIFT (5 Modes) |
| Shift pitch of (part of) spectrum, retaining harmonic relationships | PITCH TRANSP (6 Modes) |
| Shorten a repeating sound on each repetition | SHRINK SHRINK |
| Shorten a soundfile by fading to zero at some time within it | ENVEL CURTAIL |
| Shorten the silences that occur within a soundfile | CONSTRICT |
| Show available disk space | HOUSEKEEP DISK |
| Show conversions between various types of value or musical units | SNDINFO UNITS |
| Show duration of sound, analysis, envelope, pitch, formant or transposition file | SNDINFO LEN |
| Show durations of a list of soundfiles | SNDINFO LENS |
| Show loudest channel of a stereo file shown | SNDINFO LOUDCHAN |
| Show maximum level and gain information for a soundfile | SNDINFO MAXSAMP |
| Show properties of a soundfile | SNDINFO PROPS |
| Show soundfile details, with WAVE-EX speaker positions | SFPROPS |
| Shred a soundfile | MODIFY RADICAL Mode 2 |
| Shrink (or stretch) the duration of a grainy sound, without altering the grains | GRAIN TIMEWARP |
| Shuffle the data in a mixfile | SUBMIX SHUFFLE |
| Shuffle the order of the analysis windows in a file | BLUR SHUFFLE |
| Shuffle 'wavecycles' to cause distortion | DISTORT SHUFFLE |
| Silence created by replacing noise in a pitch data file | REPITCH NOISETOSIL |
| Silence in a soundfile placed between a series of timed segments | ENVEL TIMEGRID |
| Silence in a soundfile inserted in place of noise | SFEDIT NOISECUT |
| Silence inserted into a sound (overwriting or spreading) | SFEDIT INSIL |
| Silence isolated and marked in a pitch data file | REPITCH INSERTSIL |
| Silence masking specified chunks of a soundfile | SFEDIT MASKS |
| Silence added to the beginning of a soundfile | PREFIX SILENCE |
| Silence added to the end of a soundfile | SILEND SILEND |
| Silence replaced by by pitch interpolated from existing pitches in a pitch data file | REPITCH INTERP |
| Silences insert many into a soundfile | MANYSIL |
| Silences within a soundfile (any zero-level sections) reduced in length | CONSTRICT |
| Silent sound soundfile, generate a | SYNTH SILENCE |
| Slice an analysis file into individual frequency bands, saving each as separate files | SPECNU SLICE |
| Smooth pitch contour in a pitch data file | REPITCH SMOOTH |
| Sort files into categories | HOUSEKEEP SORT |
| Spacewarp a mixfile (alter spatial distribution of sounds) | SUBMIX SPACEWARP |
| Spatial alterations: see Pan, Mirror, Mirror Pan & Narrow | MODIFY SPACE |
| Spatial distribution in a sinusoidal pattern | MODIFY SPACEFORM |
| Spatially syncopate repetitions of the source soundfile(s) by randomly deleting items | MADRID |
| Spectra (complex) generated from fundamental and partial balance information | NEWSYNTH SYNTHESIS |
| Spectra generate tones spread across a spectral band | SYNTH SPECTRA |
| Spectral band sustained until louder data appears in that band | SUPERACCU SUPERACCU |
| Spectrum created with vowel sounds, following the pitch contour in a pitch data file | REPITCH VOWELS |
| Spectrum randomly partitioned into bins and play back in order | GLISTEN GLISTEN |
| Spectrum stretch of frequencies | STRETCH SPECTRUM |
| Splice a sound that repeats with timed transpositions, creating a sequence | JOIN |
| Splice several sounds with loudness-pattern | SFEDIT JOINDYN |
| Splice several sounds in a patterned sequence, altering the order, with repeats | SFEDIT JOINSEQ |
| Splice together repeating segments of a sound | EXTEND DOUBLETS |
| Split alternating FOF-grains between different spatial locations | PSOW SPACE |
| Split vocal FOF-grains into subharmonic and upwardly transposed regions | PSOW REPLACE |
| Spread the energy peaks in the spectrum, introducing controlled noisiness | BLUR SPREAD |
| Spread source gradually from a centre, across several channels | MCHANPAN Mode 4 |
| Squeeze the spectrum into a frequency range, around a specified frequency | SPECNU SQUEEZE |
| Stack several transpositions of a soundfile on top of one another | MODIFY STACK |
| Stadium echoes | MODIFY REVECHO Mode 3 |
| Step-frame by freezing spectrum at regular time intervals | FOCUS STEP |
| Stretch by repositioning FOF-grains, which are not themselves time-stretched | PSOW STRETCH |
| Stretch (or shrink) the duration of a grainy sound, without altering the grains | GRAIN TIMEWARP |
| Stretch the frequencies in the spectrum | STRETCH SPECTRUM |
| Stretch time of input file (without changing the pitch) | STRETCH TIME |
| Stretch vocal-type FOF-grains by repositioning them with overlap | PSOW STRTRANS |
| Subtract one (mono) soundfile from another (which may be multi-channel) | SUBTRACT SUBTRACT |
| Subtract the amplitude of the noise from any source file signal above a threshold | SPECNU SUBTRACT |
| Sum the durations of several soundfiles | SNDINFO SUMLEN |
| Suppress the N loudest partials (on a window-by-window basis) | BLUR SUPPRESS |
| Sustain a spectral band until louder data appears in that band | SUPERACCU SUPERACCU |
| Sustain a pitch-synchronised FOF-grain within a sound – a freeze effect, with optional vibrato | PSOW SUSTAIN |
| Sustain a time-specified FOF within a sound – a freeze effect, with optional vibrato | PSOW SUSTAIN2 |
| Sweep filter focus-frequency over a range | FILTER SWEEPING |
| Swell volume up to and down from a peak moment | ENVEL SWELL |
| Sum of two spectra | COMBINE SUM |
| Swap any pair of channels in a multi-channel setup | FRAME SHIFT Mode 4 |
| Switch (silence-separated) events antiphonally between 2 channels | MCHANPAN Mode 5 |
| Switch sounds (in 1 or more files) antiphonally between 2 channels | MCHANPAN Mode 6 |
| Switch (silence-separated) mono events between channels | MCHANPAN Mode 2 |
| Switch (silence-separated) mono events randomly between channels | MCHANPAN Mode 10 |
| Syllables in a soundfile identified and separated with a user-defined cuttimes file | SFEDIT SYLLABLES |
| Syllables in a soundfile ('grains') isolated and manipulated | GRAIN GREV |
| Synchronise, gradually after several cycles, repeats of a soundfile | CERACU CERACU |
| Synchronise grain-onsets in two grainy sounds | GRAIN ALIGN |
| Synchronise sound attacks into a mixfile | SUBMIX SYNCATTACK |
| Synchronise sounds into a mixfile | SUBMIX SYNC |
| Syncopate spatially the repetitions of the source soundfile(s) by randomly deleting items | MADRID MADRID |
| Syntax check on a mixfile | SUBMIX TEST |
| Synthesise a chord from a simple waveform | SYNTH CHORD |
| Synthesise a spectral analysis data file to form a soundfile | PVOC SYNTH |
| Synthesise a sound, adding vocal FOFs to it | PSOW SYNTH |
| Synthesise noise | SYNTH NOISE |
| Synthesise silence (make a silent soundfile) | SYNTH SILENCE |
| Synthesise spectrum by following the pitch contour in a pitch data file | REPITCH SYNTH |
| Synthesise waveforms (Sine, Saw, Square or Ramp) | SYNTH WAVE |
T |
Back to Alphabet |
| Tapdelay multi-tap delay line | TAPDELAY |
| Telescope 'wavecycles' to cause distortion | DISTORT TELESCOPE |
| Test that the syntax of a mixfile is correct | SUBMIX TEST |
| Text datafiles made for use with fixed-pitch FILTER VARIBANK filters | FILTER VFILTERS |
| Text file made from binary pitch data | REPITCH PCHTOTEXT |
| Texture of decorated events generated from one or more sounds | TEXTURE DECORATED |
| Texture of events generated from one or more sounds | TEXTURE SIMPLE |
| Texture of event-groups generated from one or more sounds | TEXTURE GROUPED |
| Texture of events with user-specified ornaments | TEXTURE ORNATE |
| Texture of events with user-specified pre-ornaments | TEXTURE PREORNATE |
| Texture of events with user-specified post-ornaments | TEXTURE POSTORNATE |
| Texture of grains made from a source sound or sounds | NEWTEX NEWTEX |
| Texture of pre-decorated events generated from one or more sounds | TEXTURE PREDECOR |
| Texture of post-decorated events generated from one or more sounds | TEXTURE POSTDECOR |
| Texture of timed events | TEXTURE TIMED |
| Texture of timed event-groups | TEXTURE TGROUPED |
| Texture of user-specified motifs | TEXTURE MOTIFS |
| Texture of user-specified motifs, timed | TEXTURE TMOTIFS |
| Texture of user-specified motifs, forced onto harmonic fields | TEXTURE MOTIFSIN |
| Texture of user-specified motifs, timed, forced onto harmonic fields | TEXTURE TMOTIFSIN |
| Textures of events over a multi-channel frame | TEXMCHAN TEXMCHAN |
| Timed grid in a basic mixfile filled with listed soundfiles, for editing | SUBMIX ONGRID |
| Timestretch by repeating 'wavecycles', causing distortion | DISTORT REPEAT |
| Timestretch by repeating 'wavecycles' below a specified frequency, causing distortion | DISTORT REPLIM |
| Timestretch by repeating FOF-grains in a FOF-grain soundfile | PSOW DUPL |
| Timestretch by repeating grains in a grainy sound | GRAIN DUPLICATE |
| Timestretch by repeating motifs applied to grains in a grainy sound | GRAIN REMOTIF Mode 2 |
| Timestretch by repeating pitch transpositions applied to grains in a grainy sound | GRAIN REPITCH Mode 2 |
| Timestretch by repeating rhythms applied to grains in a grainy sound | GRAIN RERHYTHM Mode 2 |
| Timestretch by repositioning FOF-grains, which are not themselves time-stretched | PSOW STRETCH |
| Timestretch vocal-type FOF-grains by repositioning them with overlap | PSOW STRTRANS |
| Timestretch first noise component found in vocal material | GRAIN NOISE_EXTEND |
| Timestretch in the spectral domain | STRETCH TIME |
| Timestretch with Brassage velocity parameter | MODIFY BRASSAGE Mode 2 |
| Timewarp the data in a mixfile | SUBMIX TIMEWARP |
| Timewarp the duration of a grainy sound without changing the length of the grains | GRAIN TIMEWARP |
| Top & Tail significant sound within a soundfile | HOUSEKEEP EXTRACT Mode 3 |
| Trace sound by retaining only the N loudest partials (window by window) | HILITE TRACE |
| Transpose a FOF-grain soundfile by duplicating the grains | PSOW DUPL |
| Transpose pitch data in a pitch data file, altering harmonic relationships | REPITCH PCHSHIFT |
| Transpose pitch of grains in a grainy sound | GRAIN REPITCH |
| Transpose pitch of pitch data file (same duration & spectral envelope moves) | REPITCH TRANSPOSE |
| Transpose pitch of pitch data file (same duration & keep original spectral envelope) | REPITCH TRANSPOSEF |
| Transpose soundfile, changing pitch and duration | MODIFY SPEED |
| Transpose soundfile several times and mix, to place the transposed versions on top of one another | MODIFY STACK |
| Transpose vocal-type FOF-grains by repositioning them with overlap | PSOW STRTRANS |
| Tremolo a sound (frequency oscillation) | ENVEL TREMOLO |
| Tremolo added to a multi-channel soundfile | FLUTTER FLUTTER |
| Tremolo with width-control applied to a soundfile | TREMOLO TREMOLO |
| Tune spectral frequencies to the harmonics of specified pitches | PITCH TUNE |
| Tune spectral frequencies with harmonics of specified pitch(es), time-varying with filtering | TUNEVARY TUNEVARY |
U |
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| Units conversions | SNDINFO UNITS (23 Modes) |
V |
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| VARIBANK text datafiles made for use with fixed-pitch FILTER VARIBANK filters | FILTER VFILTERS |
| Varispeed information | MODIFY SPEED Mode 3 |
| Varispeed semitone information | MODIFY SPEED Mode 4 |
| Varying delay line | MODIFY REVECHO Mode 2 |
| Vibrato a sound | MODIFY SPEED Mode 6 |
| Vibrato added to pitch in a pitch data file | REPITCH VIBRATO |
| View data in a pitch or transposition file as a pseudo-soundfile, conversion for | PITCHINFO SEE |
| View soundfile data, with zoom to sample accuracy | VIEWSF |
| Vocal syllables in a soundfile identified and separated | SFEDIT SYLLABLES |
| Vocal syllables in a soundfile isolated and manipulated | GRAIN GREV |
| Vocode by imposing formants from 2nd sound onto 1st | FORMANTS VOCODE |
| Vowels imposed on a soundfile | HILITE VOWELS |
| Vowel sounds used to create a spectrum, following the pitch contour in a pitch data file | REPITCH VOWELS |
W |
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| Warp envelope in a text breakpoint file (15 options) | ENVEL REPLOT |
| Warp envelope in a binary envelope file (15 options) | ENVEL RESHAPING |
| Warp envelope of a soundfile (15 options) | ENVEL WARP |
| Waver between harmonic and inharmonic states | STRANGE WAVER |
| Wavesets from a mono soundfile partitioned into disjunct block-groups | PARTITION PARTITION |
| Weave a route among the analysis windows of a file | BLUR WEAVE |
| 'Window' a soundfile into a series of segments separated by silence | ENVEL TIMEGRID |
| Windows in an analysis file counted | SPECINFO WINDOWCNT |
| Write a binary pitch file as a time frequency breakpoint text file | PITCHINFO CONVERT |
X |
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Y |
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Z |
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| Zero a channel in a soundfile | HOUSEKEEP CHANNEL Mode 3 |
| Zero amplitude gate for soundfile cut points | HOUSEKEEP GATE |
| Zero-crossings, cut at and keep a segment from a MONO soundfile | SFEDIT ZCUT |
| Zero-crossings, cut at and keep segments from a MONO soundfile | SFEDIT ZCUTS |
| Zero-crossings, fraction of, counted and displayed | SNDINFNO ZCROSS |
| Zeroes (i.e., unpitched windows) present in a binary pitch file? | PITCHINFO ZEROS |
| Zigzag, reading backwards and forwards through a soundfile | EXTEND ZIGZAG |
| Zigzag, hovering over a portion of a file at a given frequency | HOVER |
| Zigzag while panning to a new channel in a multi-channel soundfile | MCHZIG ZAG |
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